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supported by 8 fans who also own “ナイトクルージング”
This is undoubtedly my single favorite album of all time. It feels like such a perfect culmination of all the themes and ideas Fleet Foxes has been working with since 2008. It answers many of the questions found on both Helplessness Blues and Crack-Up, and represents an incredible maturation and growth in Robin Pecknold's perspective. Their other albums are certainly masterpieces, but this, in my opinion, is their magnum opus. I doubt it will be recognized as such in its time.
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supported by 7 fans who also own “ナイトクルージング”
saw them at a khurangbin concert and they slapped. vibes are yuge.
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Everywhere at the end of time
by The Caretaker
supported by 7 fans who also own “ナイトクルージング”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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Cermony's Ross John Farrar experiments with synths, bass, & percussion to make music similar to that from the '80s homemade tape scene.
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The second EP from UK duo Pecq features bubbly synthpop swirled with a bright psychedelic haze.
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The Australian art prog trio departs from their previous sound and lean into a mellow and surreal soundscape.
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Untourable Album
by Men I Trust
supported by 6 fans who also own “ナイトクルージング”
A truly stunning album that mentally transports you to foggy early morning streets, the pavement wet from recent rains. Dreary, but in a comforting way. Like sitting next to a window during a rainstorm, listening to the drops hit the glass while remaining warm. Never fails to make me feel safe.
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